“Adorned with the Word: Praise” from Colossians 3:15-17 — a Refresh & Restore Bible Study

15 And let the peace of Christ rule in your hearts, to which indeed you were called in one body. And be thankful. 16 Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God. 17 And whatever you do, in word or deed, do everything in the name of the Lord Jesus, giving thanks to God the Father through him.[1]

Colossians 3:15-17


Greetings Sojourners!

I am hesitantly excited about today’s Bible study. Really, I am excited about it, just hesitant to publish it because of how divisive the subject can be among church folks. The subject of today’s Bible study is worshiping through singing.

Some people are almost militant in their divisiveness regarding the subject of singing in church. There are camps made and battle lines drawn. In some cases it is “traditional” v. “contemporary”. In others, it is we only sing this or that. There are Southern gospel camps. There are hymnal camps. Sometimes, these camps draw battle lines. Articles are written. Social media posts are lobbed out like grenades. Pastors are fired or hired. Churches split. The casualty is often the act of worship itself when the object of our worship, our resurrected King – Jesus Christ, is often far from the conversation.

I want to avoid camps and battle lines here today and help us see that while what we sing matters, why we sing and especially who we sing to matters, too, and perhaps matters more.

Why do we sing?

We sing because God ordained it. In Ephesians 4:19, we see most of the same wording as our passage today in Colossians 3:16, but we see the Holy Spirit add to the letter to the church at Ephesus the words “singing and making melody to the Lord with your heart”. He moves us to sing and inspires our song. If God had not wanted us to sing, He would not have told us so. He definitely would not have “breathed out” (2 Timothy 3:16) and inspired the longest and largest book of the Bible – the Psalms – to be a song book. God wants us to sing.

We sing because we have something (someOne) to sing about. In Exodus 15, we see Moses and the people of Israel standing on the far side of the Red Sea. God had divided the sea and brought them across on dry ground with walls of water on either side of them while they were being pursued by the Egyptian army (Exodus 14:22-23). Israel made it across, and God inhibited the Egyptian army – who were marching and riding across that same dry ground – from catching Israel or retreating from Him. The entire army was terrified and cried out in fear because “the Lord fights for [Israel]” (Exodus 14:25). God told Moses to stretch his hand out over the parted waters, and God crushed the Egyptian army (Exodus 14:16, 26-29). Israel “saw the great power that the Lord used against the Egyptians” and “feared” and “believed in the Lord” (Exodus 14:31). Moses sang (Exodus 15, cf. Psalm 106:12). God wants us to sing to Him and about Him.

We sing because God sings. There is a beautiful verse penned by the prophet Zephaniah:

The Lord your God is in your midst,
a mighty one who will save;
He will rejoice over you with gladness;
He will quiet you by His love;
He will exult over you with loud singing. (Zephaniah 3:17)

God is going to sing over us. Think about the comfort a parent’s singing gives to an infant or young child. Those children are not critics of the music or drawing battle lines over the choice of lullabies. They are soothed. The sound of parental love brings peace. Mama is there with them in the midst of discomfort. Daddy is near making it safe to close their eyes in darkness. For us, Abba (Romans 8:15, Galatians 4:6) is singing the good news of Who He is, all He has done, and everything that will be. God wants us to sing that over each other, too.

Hear me again: God wants us to sing! But as I mentioned above, He also gives us guidance on what to sing in our worship gatherings. Colossians 3 is one of the places He gives that guidance. Lord willing, I will avoid making this Bible study into a camp or drawing battle lines. I plan on being clear where Scripture is clear and gracious in clarity here. It is my intent to offer a Bible study that helps and does not unnecessarily divide. What follows is my feeble effort to point us to Christ in what we are to sing when we gather together.

What to Sing: The Word of Christ Dwelling Richly (v. 16)

Our last Bible study focused on how the Word of Christ – the Bible – is supposed to be the substance of our preaching. Looking at the context of Colossians 3:16, we see that it is not only focused on the preaching. The Bible is where we find all that can be known about God.[2] The Bible is where we learn of God and all He has done for us in Christ. Also, as mentioned above, the Bible contains an expansive resource of songs that were sung by those in the faith who have come before us – men and women who experienced the work of God and, like Moses, turned and expressed their worship and devotion and awe of God to Him in song.

If the Word of Christ is to dwell richly in our singing, our songs must be tested against the Word. This is important because what the church sings has historically “been one of the most powerful means by which a church is taught”.[3] This can be seen in the way that Wayne Grudem includes hymns and praise songs at the end of each chapter of his Systematic Theology; he believes that the study of theology “at its best will result in praise”.[4] The praise that results from studying Scripture and forming theology should exhibit that theology. An example of this is how an old hymn from my childhood formed the basis of how I understand the atonement of Christ: “There to my heart was the blood applied; glory to His name!” Another example comes from a modern hymn that shows God’s heart toward and power to save sinners who turn to Him: “My sins they are many; His mercy is more!”

This leads on to how we should look at the contents of what we sing in the same way as the preaching that we sit under. The example of the Bereans fits here, too. They were eager to hear, but that is not what set them apart. They were considered “more noble” because they did not let their eagerness take the place of “examining the Scriptures daily” to see if what Paul was teaching matched what God’s Word said (Acts 17:11). If our songs are going to teach us theology, we need to be careful that we are not willingly singing false teaching. There are resources that can help with this like The Berean Test, but you should dig into the Scriptures yourself. At Christ Community, we work through the songs we sing and provide lists of cross-references for every song we sing and provide access to them (almost) weekly through our “Songs for Sunday” posts, but none of that is any good if no one checks the Scripture to see if these things are so.

You might be asking why this even matters or if it really is a big deal. The short answer is yes. The long answer points us back to our passage.

What to Sing: Psalms, Hymns, and Spiritual Songs

Here comes the controversial or at least the point where people typically begin to divide. It is the subject of a lot of conversation, more than a little bit of social media fodder, and is the basis for a lot of opinions that get shared on the subject. The issue for divisiveness here is largely due to opinion – along with tradition or preference. I have neither the interest nor the emotional bandwidth to wade through those issues here. What I am interested in is what Paul told the Colossian church. I am interested in how the content of our worship is meant to flow out of taking off the flesh and putting on Christ. I want to see praise as a response of our theology as well as seeing our theology ensuring that our praise is biblical.

Paul gives the church at Colossae – as well as the church at Ephesus (Ephesians 4:19), our local churches, and the Church from the writing of the New Testament until Christ’s return – three categories of songs for us to sing: psalms, hymns, and spiritual songs. Now, no song is necessarily one of these categories but more likely a mixture. What I want to do here is, as I said above, to see what these terms given to us by the Holy Spirit through Paul mean and how we can use them to check the contents of our worship through singing.

Psalms

The psalms are the easiest to define because we recognize it as the name of the longest book of the Bible: Psalms. It is the collection of songs written by the inspiration of the Holy Spirit to exalt, praise, and worship the Lord for all He had done for Israel. The way the Biblical Theology Study Bible describes the book of Psalms is very helpful to us here:

“The book of Psalms (or the Psalter) has been the hymnbook and prayer book for countless generations of Jews and Christians over the centuries. It contains the entire range of human emotion, from the highest points of joy and thanksgiving to the lowest points of depression and loss and everything in between. The psalms are timeless—hence their popularity among believers in all times and all places. Their presence in the Bible instructs the faithful in the best ways to praise and thank God, and they model legitimate ways to grieve and to address God boldly and directly in the midst of pain and sorrow. The psalms are transparent, passionate, emotive, personal, and genuine, and they provide believers with language with which to express their own deepest emotions and passions.”[5]

The existence of the psalms gives us good guidelines for what our worship is to look like, whether it be learning to call out to God in times of distress and mourning, rejoicing when He has blessed us, crying out from a position of defeat or desperation, or worshipfully reflecting on who God is and all He has done.

The word here in Colossians 3:16 (Gr. psalmos) basically means “Songs”, while the title of the book in Hebrew (Tehillim) meant “Praises”. The Greek form of the word also carried with it the idea of singing being accompanied by music, specifically strings being plucked (like a harp) or played with a plectrum or pick (like a lyre or lute).[6]  But ultimately, what we need to understand for today is that the first (and arguably most important) category of songs for us is singing Scripture. This of course includes the 150 psalms we have in the Bible, but it also extends to New Testament passages like Colossians 1:15-20 or Philippians 2:5-11. This illustrates that, in order for the “word of Christ to dwell in you richly”, the contents of our singing is better to contain Scripture than to merely reflect or be inspired by it.

Hymns

This is going to be where some disagree because of the prevalence of hymnals, especially how important they were in churches for the last few centuries. However, there are many songs in hymnals that would fit the other categories as well; examples of this from the 2008 Baptist Hymnal include singing Scripture (psalms) like in Hymn #431 where it is the Lord’s Prayer from Matthew 6:9-13 to music, as well as a number of “spiritual songs” which we will get into in the next section. The word here in Colossians 3:16 (Gr. hymnos) means a “song…in honor of God” or a “direct address of praise and glory to God”.[7]

One might interpret hymns in the more modern context as songs that sing doctrine. If psalms is singing Scripture explicitly, hymns are inspired by Scripture or are used to explain what Scripture is saying. Both are important. But, hopefully, this helps us see why it is so important to sing songs that are faithful to Scripture and contain good, solid biblical theology. I will give an example of an older “hymn” and a newer song to illustrate this. The song “Just a Little Talk With Jesus” talks about a “prayer wheel”, which is Buddhist and has no ties to Christianity at any point in church history. That is dangerous. A more modern example can be seen from events recently in the meetings of the United Methodist Church where they not only abandoned clear biblical teachings on sexuality but joined together singing a “hymn” called “All Faiths Lead to God” which contradicts the Bible’s teaching that Jesus is the only Way to the Father (John 14:6).

Hymns can help us to put good biblical theology in our mouths and in our minds (or bad theology if we are not careful with some). Examples of solid hymns that come to my mind are “A Mighty Fortress is Our God”, “Praise to the Lord, the Almighty, the King of Creation”, “It is Well”, “How Great Thou Art”, “Come Ye Sinners Poor and Needy”, “In Christ Alone”, “How Deep the Father’s Love for Us”, or “Before the Throne of God Above”. This is most definitely not an exhaustive list, but each of these songs is an ode to God’s might and power and points to Him. These songs contain gospel truths and clear doctrine. The age of the song matters not (the songs in the list above range from the 1400s to the early 2000s) because Jesus is eternal and there are nearly 2,000 years of the Church spread out on every continent, which is how it should be because the Church is bigger than just us in our local congregation.

Spiritual Songs

In this final category, we see an example that gets to be a bit more personal. The word in Colossians 3:16 (Gr. ode) is where we get the English word “ode” that describes poems or songs written about/to someone or something. In this case, ode refers to singing in honor of what God has done and might contain confessions of what we have done in sin or praise for what God has done in saving us. These are songs of testimony. For these “spiritual songs” sung in corporate worship, they are songs of shared testimony, singing and testifying things that are common to every believer.

These “spiritual songs” carry common themes like redemption, salvation, justification, the breaking of chains, the removal of sin, repentance, etc. Every Christian to ever be born again shares certain biblical similarities in their testimonies. All Christians were dead in their trespasses and sins, but God made us alive in Him. All Christians were lost until Jesus sought us out and found us. All Christians were slaves to sin but redeemed by God and adopted as His child. These are common themes that resound with all of us. Again, some of these overlap, take “How Great Thou Art” from the list of hymns in the previous section. It is clearly chock full of doctrine, especially in verse three, but that proclamation of doctrine is also a testimony: “And when I think, that God His Son not sparing, sent Him to die; I scare can take it in. That on the cross, my burden gladly bearing; He bled and died to take away my sin!”

Another beautiful truth about “spiritual songs” is how they carry with them the idea of new songs.[8] In Revelation 5:9 and 14:3, the ode is used to talk about the “new song” sung to the Lamb and in Revelation 15:3 to describe the “song of the Lamb”. God is still saving people, giving them new life and a song of gratitude in their hearts, and people are still moved to write songs that make much of Jesus, like the descriptions of heaven in Revelation where crowns are being laid down, palm branches are being waved, and recognition of the singular worthiness of the Lamb is proclaimed constantly. This also agrees with Psalm 149:1-3 that commands God’s people to praise Him and that new songs should be sung because people are “glad” in their Maker, “making melody to Him” with instruments and voices.

So, to take the categories in Colossians 3:16 and simplify them, we are to sing Scripture, we are to sing doctrine as found in Scripture, and we are to sing as an ode to God and a testimony for all He has done and is doing for us.

Wrapping Up

Letting “the Word of Christ dwell in you richly” is no small task, especially as we gather together to worship with our local church. But no task worth doing or goal worth reaching is easy or simple. Making sure that our worship – through preaching, listening, reading the Word, or singing – is biblical is a difficult but necessary task. The result hinges on Him in whom we put our trust. Do we trust Him enough to do things His way, or will we rely too heavily on our own traditions or personal preferences? Are we willing to chuck out songs that are shallow or unbiblical just because that’s what we like or grew up on? These are hard questions, but, again, they are necessary.

It also needs to be said that writing on this does not mean that I have it all figured out or that I am not still changing and growing in this. I’m no longer a young man, and I find tradition and personal preference weighs more heavily in my mind and heart than in previous decades in my life. I find myself convicted when I realize that something I have sung or a song I have always loved and/or grew up on is not biblical.[9] But if I spend time in the Word and with the Word, Jesus, I am not satisfied with lesser songs. I need to worship God as He prescribes, not as I prefer. That is a lesson I am still learning and will likely continue to learn for the rest of my life, until I stand before Him on the throne and cast my preferences aside and all I can do is worship my Lord and King.

So, how do we apply this?

Well, most simply, we guard what we sing and test it according to the Word. In some cases, songs will need to be thrown out. In others, parts or lines can be rewritten to fit with Scripture. But, ultimately, we need to desire to worship the Lord and to have His Word “dwell in [us] richly”. We need to hunger for Him and realize that worship is all about Him and nothing of us (other than confessing our sinfulness and need for Him).

Jesus is worthy.

Jesus is Lord.

Jesus is God.

Let us make sure we worship Him for who He is and how He told us to in His Word.


[1] The Holy Bible: English Standard Version (Wheaton, IL: Crossway Bibles, 2016), Col 3:15–17.

[2] Wayne A. Grudem, Systematic Theology: An Introduction to Biblical Doctrine (Leicester, England; Grand Rapids, MI: Inter-Varsity Press; Zondervan Pub. House, 2004), 128–129.

[3] John Piper, Ask Pastor John: “When Worship Lyrics Miss the Mark”, Desiring God,  August 7, 2017, https://www.desiringgod.org/interviews/when-worship-lyrics-miss-the-mark.

[4] Grudem, 42.

[5] D. A. Carson, ed., NIV Biblical Theology Study Bible (Grand Rapids, MI: Zondervan, 2018), 868.

[6] Spiros Zodhiates, The Complete Word Study Dictionary: New Testament (Chattanooga, TN: AMG Publishers, 2000).

[7] Zodhiates.

[8] Zodhiates.

[9]      I want to make a specific statement regarding some of the songs we sing, but it did not fit well in the exposition of Colossians 3:16. We need to be increasingly careful of the sources of our music. Some of the most popular songs today are from churches like Hillsong, Elevation, or Bethel. In many ways, these three churches have departed from orthodox Christian teachings in certain areas and in the case of Bethel have gone to underhanded lengths to simulate or fake the presence of the Holy Spirit. We need to be careful when drinking from tainted wells.
       At the same time, we need to be vigilant in checking all of our songs. Some older songs fit that bill as well. Do your research and see if songwriters or hymnwriters are part of a local church – whether or not they have accountability as a church member with pastors and people discipling them. We need to be vigilant regarding the Word content of the songs we let in our minds because, again, it helps form the theology coming out of our mouths. We raise our children with songs to warn of danger like “Be careful little ears what you hear”; may we warn ourselves with “Be careful little flock what you sing.”

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